| Anna Paulownaplein 10–11 |
J.W. Bosboom |
Overgangsarchitectuur |
1899–1900 |
Corner building with a five-sided wooden bay window over two floors, supported by a sculpted stone console. Features Art Nouveau elements such as stained glass and ironwork. |
| Anna Paulownaplein 12–13 |
J.W. Bosboom |
Overgangsarchitectuur |
1899–1900 |
Facade with a cornice supported by sculpted heads, Art Nouveau stained glass, and a large wooden dormer flanked by oeil-de-boeufs. |
| Anna Paulownaplein 14–15 |
J.W. Bosboom |
Overgangsarchitectuur |
1899–1900 |
Features include a cornice with leaf consoles, Art Nouveau stained glass, and decorative anchors forming the year 1900. |
| Anna Paulownaplein 16 |
J.W. Bosboom |
Overgangsarchitectuur |
1899–1900 |
Corner building with a richly decorated facade, including Art Nouveau stained glass and ironwork, and a sculpted signature of the architect. |
| Anna Paulownastraat 73 |
J.W. Bosboom |
Art Nouveau |
1901 |
Designed by Bosboom for himself as a residence and office. Features include a richly decorated Art Nouveau facade and well-preserved interior with original details. |
| Anna Paulownastraat 75 |
J.W. Bosboom |
Art Nouveau |
1901 |
Part of the same building as number 73, sharing the same architectural features and historical significance. |
| Buitenhof 20 |
J. Mutters Jr. |
Art Nouveau (Wiener Sezession) |
1904–1906 |
Originally built as an extension to Hotel ‘De Twee Steden,’ later used as a cinema (Cineac). Features a richly sculpted façade with Jugendstil ornamentation inspired by Paul Hankar, including balconies with Sezession-style ironwork and a preserved marble staircase. |
| Casuariestraat 43-49 |
Unknown |
Art Nouveau |
1903 |
Business premises with upper residences, featuring Art Nouveau facades with sculpted inrijdeuren, colorful brickwork, and decorative elements. |
| Denneweg 56 |
J.W. Bosboom |
Art Nouveau |
1898 |
Showroom for iron foundry E. Beekman, notable for its transparent glass façade with exposed iron structure, richly decorated with wrought iron elements, including a crown referencing Queen Wilhelmina’s coronation. |
| Hoogstraat 9 |
L.A.H. de Wolf |
Art Nouveau |
1904 |
Three-bay building with sandstone façade, featuring pilasters with floral motifs, an oriel window, and decorative tile panels. |
| Hoogstraat 30–30c |
J. Mutters Jr. |
Art Nouveau |
1897 |
Originally built for Hagemeijer warehouse, the building showcases a richly sculpted natural stone façade with Art Nouveau motifs, including stained glass and wrought iron balconies. |
| Jan van Nassaustraat 107 |
J. Mutters |
Art Nouveau |
1901 |
Known as ‘Huis Blokhuis,’ this townhouse features a façade inspired by Paul Hankar, with sculpted brickwork, curved window frames, and a prominent Art Nouveau balcony. |
| Jan van Nassaustraat 35 |
J. Mutters |
Overgangsarchitectuur with Art Nouveau elements |
1899 |
Known as ‘Huis Wirtz,’ this townhouse combines traditional forms with Art Nouveau details, including a semi-circular bay window, decorative ironwork, and a façade with stone bands and sculpted ornaments. |
| Keizerstraat 213 |
C.J.M. van Duijne |
Historiserend Overgangsarchitectuur, Weense Sezession |
1903 |
Shop-residence with elements of the Viennese Secession; richly decorated façade with loggia and wrought iron balustrade. |
| Keizerstraat 213 & 215 |
C.J.M. van Duijne |
Historiserend Overgangsarchitectuur, Weense Sezession |
1903 |
Shop-residence with elements of the Viennese Secession; richly decorated façade with loggia and wrought iron balustrade. |
| Kettingstraat 29-31 |
J.W. Bosboom |
Art Nouveau |
1903 |
Built as a branch for the flower shop Van Rijswijk en Zoon, this building features a richly decorated façade with Art Nouveau and Sezession-style ornaments, including a sculpted inscription ‘De Goede Bron’ and distinctive bay windows. |
| Korte Poten 22 – Apendans 5,7,11 |
M.J. van der Schilden |
Art Nouveau |
18th century; 1902 |
Originally an 18th-century building, it underwent significant renovations in 1902, resulting in an Art Nouveau façade along Korte Poten, characterized by a three-story façade with a modestly profiled cornice and Art Nouveau detailing in the dormer and window transoms. |
| Korte Poten 27 |
M.J. van der Schilden |
Art Nouveau, Neo-Renaissance |
1902 |
A three-bay wide shop/residence featuring a richly decorated brick façade combining Neo-Renaissance design with Art Nouveau elements, including ornate plasterwork above the windows and a distinctive round stone top with a date stone. |
| Korte Poten 29–29c |
Unknown |
Art Nouveau, Weense Sezession |
circa 1905 |
A three-bay wide shop/residence showcasing a façade in transitional architecture with a shopfront designed in the Viennese Secession style, featuring hardstone decorative bands and a wooden bay window with decorative carvings. |
| Korte Poten 40 |
Unknown |
Art Nouveau |
1898 |
A narrow shop/residence with a single-bay façade, featuring Art Nouveau elements such as stained glass windows with floral motifs, a small balcony with wrought iron railing, and an almost entirely original shopfront with a riveted iron frame. |
| Laan van Meerdervoort 213 |
J. Olthuis |
Art Nouveau |
1900-1901 |
Remarkable and good example of residential construction in the Art Nouveau style from the early 20th century. |
| Laan van Meerdervoort 215 |
J. Olthuis |
Art Nouveau |
1900 |
Part of a series of 13 houses designed by Jan Olthuis, this residence features a natural stone-clad façade with plant-inspired Art Nouveau sculptures, making it one of the most pure examples of exuberant Belgian-French Art Nouveau in The Hague. |
| Laan van Meerdervoort 217 |
J. Olthuis |
Art Nouveau |
1900–1901 |
Also part of the series by Jan Olthuis, this house exemplifies early 20th-century Art Nouveau residential architecture, contributing to the cohesive aesthetic of the row. |
| Laan van Meerdervoort 219 |
J. Olthuis |
Art Nouveau |
1900–1901 |
Another residence in the Olthuis-designed series, showcasing characteristic Art Nouveau design elements consistent with the neighboring houses. |
| Laan van Meerdervoort 221 |
J. Olthuis |
Art Nouveau |
1900–1901 |
Part of a series of 13 houses designed by Jan Olthuis, showcasing characteristic Art Nouveau design elements consistent with the neighboring houses. |
| Laan van Meerdervoort 223 |
J. Olthuis |
Art Nouveau |
1900–1901 |
Another residence in the Olthuis-designed series, contributing to the cohesive aesthetic of the row with distinctive Art Nouveau features. |
| Laan van Meerdervoort 225 |
J. Olthuis |
Art Nouveau |
1900–1901 |
Part of the Olthuis series, this house exemplifies early 20th-century Art Nouveau residential architecture. |
| Laan van Meerdervoort 227 |
J. Olthuis |
Art Nouveau |
1900–1901 |
A continuation of the Olthuis-designed series, featuring characteristic Art Nouveau design elements. |
| Laan van Meerdervoort 229 |
J. Olthuis |
Art Nouveau |
1900–1901 |
Another residence in the Olthuis series, showcasing Art Nouveau architectural details. |
| Laan van Meerdervoort 231 |
J. Olthuis |
Art Nouveau |
1900–1901 |
Part of the cohesive row of 13 houses designed by Jan Olthuis, featuring Art Nouveau elements. |
| Laan van Meerdervoort 233 |
J. Olthuis |
Art Nouveau |
1900-1901 |
Part of a series of 13 houses designed by J. Olthuis; characteristic of the Art Nouveau style. |
| Laan van Meerdervoort 235 |
J. Olthuis |
Art Nouveau |
1900-1901 |
Remarkable and good example of residential construction in the Art Nouveau style from the early 20th century. |
| Laan van Meerdervoort 237 |
J. Olthuis |
Art Nouveau |
1900-1901 |
Townhouse from the early 20th century, with a façade that shows Art Nouveau forms, particularly in the decorative treatment of the balcony with consoles. |
| Laan van Meerdervoort 164-168 |
J. Olthuis |
Art Nouveau |
1903/04 |
A set of houses designed by Jan Olthuis, displaying Art Nouveau architectural features consistent with his other works on the Laan van Meerdervoort. |
| Lange Houtstraat 9 |
Unknown |
Art Nouveau, Eclecticism |
18th century |
Originally an 18th-century patrician house, this building underwent significant transformations in the 19th and early 20th centuries. Notable features include a natural stone shopfront from 1906 exhibiting Art Nouveau forms, and a façade with Neo-Louis XIV style elements. |
| Lange Poten 13 |
L.A.H. de Wolf |
Art Nouveau |
1905 |
A corner building redesigned in 1905 for shops, offices, and residences. The façade showcases Art Nouveau elements, including wooden bay windows and a decorative turret. The building reflects the transformation of Lange Poten into a prominent shopping street in the late 19th and early 20th centuries. |
| Lange Poten 15 |
L.A.H. de Wolf |
Art Nouveau |
1905 |
A corner building redesigned in 1905 for shops, offices, and residences. The façade showcases Art Nouveau elements, including wooden bay windows and a decorative turret. The building reflects the transformation of Lange Poten into a prominent shopping street in the late 19th and early 20th centuries. |
| Maliestraat 11 & 11a |
J.W. Bosboom |
Art Nouveau |
1902 |
Originally a coach house with stables and an upper residence, this building features a brick façade enlivened by the use of glazed brick strips and Art Nouveau decorations above the windows. The double garage doors are adorned with glass panels and wrought iron Art Nouveau designs. |
| Maliestraat 12a / Hooistraat 9 |
J.W. Bosboom |
Art Nouveau, Transitional Architecture |
1901–1902 |
Known as Villa Elena, this property comprises a front house on Maliestraat and a rear house on Hooistraat. The rear house exhibits chalet-style and Art Nouveau features, including a richly designed rear façade with bands of yellow glazed brick, wooden balconies, and a garden bordered by a wrought iron fence from the building’s original construction. |