| Nieuwe Parklaan 55 |
J.H. Pfeiffer |
Art Nouveau, Transitional Architecture |
1904–1905 |
Villa Ninni is a detached villa featuring a combination of yellow and orange brickwork, hardstone elements, and Art Nouveau decorative details. Notable features include balconies with wrought iron railings, wooden verandas, and a garden enclosed by an Art Nouveau iron fence. |
| Nieuwstraat 1 – 3b – 5 |
L.A.H. de Wolf |
Art Nouveau |
1910 |
Former fashion store of the Lijnkamp firm on the corner of Dagelijkse Groenmarkt and Nieuwstraat, built in 1910 to the design of architect L.A.H. de Wolf in the style of the Viennese Secession. Constructed by contractor J.P.J. Lorrie. |
| Noordeinde 6 & 6a |
L.A.H. de Wolf |
Art Nouveau |
1901 |
A three-bay wide building featuring a white glazed brick façade with blue and yellow bands. The central bay has a wooden bay window topped by a loggia, while the side bays feature tall round-arched niches with Art Nouveau decorations. |
| Noordeinde 11 |
L.A.H. de Wolf |
Transitional Architecture with Oriental Features |
1911 |
Originally built for Marton Kulcsàr, an importer of Persian carpets. This four-story building was extensively renovated in 1911–1912. It features a shop-residence in transitional architecture with oriental elements, including preserved stained glass windows in the basement. |
| Noordeinde 43 |
Z. Hoek & J.Th. Wouters |
Art Nouveau |
1901–1902 |
Known as ‘Mercurius,’ this was the first office building in The Hague designed with an iron skeleton. The Art Nouveau façade includes yellow brick, natural stone accents, and a central bay with a three-sided bay window and loggias. |
| Noordeinde 44–46 |
L.A.H. de Wolf |
Art Nouveau |
1903 |
Originally housing the renowned tea salon Krul, this building features a richly decorated façade with glazed brick, natural stone, and iron decorative elements. It’s considered one of the best examples of the Sezession style in the Netherlands. |
| Noordeinde 58 |
L.J. Falkenburg |
Art Nouveau |
1904 |
A 19th-century building remodeled in 1904 into a shop-residence with an Art Nouveau façade. Notable features include a bay window spanning the first and second floors, a balcony, and a loggia, all adorned with geometric decorations. |
| Noordeinde 164 |
Not Known |
Art Nouveau features |
1850 |
Art Nouveau shopfront from around 1900. Corner piers have sculpted decorative patterns in bluestone and sandstone, and the glass front is set in a wooden frame. Shopfront signed: ‘Karel Meijer and H.E.M. Rademaker architects’. To the left, a doorway with a colorful tile panel signed ‘Holland’ Utrecht. The door to the residence (164) features ornamental ironwork and copperwork in Art Nouveau style; the shop door is simpler but in the same style. |
| Oude Haagweg 725 |
J. van Rossum |
Art Nouveau |
1907 |
A rectangular townhouse featuring a gray-white brick façade accented with blue and orange decorative bands. Notable elements include a hardstone plinth and a commemorative stone inscribed ‘Eerste steen gelegd door A.J.Ch. Flinterman 1907.’ |
| Paviljeonsgracht 46 – 54 |
J. Olthuis |
Jugendstil |
1907 |
A corner building with shops and apartments, characterized by white and yellow glazed bricks, overhanging red-glazed tiled roofs, and a well-preserved Jugendstil façade. |
| Piet Heinstraat 40 |
J.Ph. Reeser |
Art Nouveau |
1903 |
Shop-residence with an impressive Art Nouveau façade; also includes Art Deco elements in the shopfront. |
| Piet Heinstraat 105 |
L.J. Elkhuizen |
Art Nouveau |
1902 |
A three-story shop-residence with an ornate Art Nouveau façade, featuring a distinctive shopfront with curved glass, stained-glass transoms, and decorative ironwork. |
| Plaats 11 |
L.A.H. de Wolf |
Art Nouveau |
18th century |
Originally an 18th-century building, its façade was updated in 1903 with an Art Nouveau shopfront designed by L.A.H. de Wolf, preserving the historical structure while adding decorative elements. |
| Plaats 20 |
L. Simons |
Art Nouveau |
1904 |
A richly detailed shop-residence built for the Goupil art dealership, featuring a natural stone façade with Art Nouveau decorations, including naturalistic leaf motifs and a prominent open balustrade. |
| Plaats 21 |
L.A.H. de Wolf |
Art Nouveau |
1902 |
An early work by De Wolf, introducing the Viennese Secession style to The Hague, characterized by white brick façades with colorful bands, vertical emphasis, and geometric motifs. |
| Plaats 23 |
L.A.H. de Wolf |
Art Nouveau |
1902 |
Part of the same building as Plaats 21, sharing the distinctive features of De Wolf’s early adoption of the Viennese Secession style in The Hague. |
| Plein 20 |
L. Simons |
Art Nouveau |
1900 |
Commercial building with Art Nouveau details including curved window frames, ironwork, and stylized cornices. Once used for upscale retail. |
| Prins Hendrikstraat 86–88 |
P.F. van Goor |
Art Nouveau |
1900/01 |
Double shop-residence with ornamental brickwork, iron balconies, and stained-glass transoms. Rich Art Nouveau decoration above the windows and along cornices. |
| Prinsegracht 42 |
A.W. Meyneken |
Art Nouveau |
1908 |
Warehouse built in the Art Nouveau style with a decorated stone entrance, iron structural elements, and stylized lettering. Known as Magazijn Hollandia. |
| Spui 229 |
Unknown |
Art Nouveau |
1700-1725 |
Department store façade with large display windows, wrought iron balcony, and elaborate plasterwork. Unified with 229a–c by symmetrical design. |
| Spui 229–229c |
Unknown |
Art Nouveau |
1700-1725 |
Part of the same ensemble as Spui 229, featuring similar ornamental and functional characteristics reflecting early 20th-century retail architecture. |
| Spuistraat 16 |
M.A. de Zwart |
Art Nouveau |
1906 |
Commercial building with stylized bay windows, colored tiles, and flowing wrought-iron balconies. An example of decorative urban storefront design. |
| Trekvlietplein 1 |
A. Schadee |
Overgangsarchitectuur |
1905–1907 |
The wrought iron fences feature geometric Art Nouveau motifs. Between the pillars, the fixed fences rest on masonry balustrades topped with natural stone. |
| Venestraat 17 |
W.Molenbroek |
Art Nouveau |
1905 |
Shop-residence with distinctive Art Nouveau window treatment, decorative stonework, and finely wrought iron railing above the storefront. |
| Venestraat 29 |
J. Mutters |
Art Nouveau |
1902/1917 |
Twin façades for numbers 29 and 31, showing rhythmic repetition of Art Nouveau ornamentation and highly stylized fenestration patterns. |
| Venestraat 43 |
A.A. Mussert |
Neo-Renaissance with Art Nouveau elements |
ca. 1900 |
Shop-residence in Neo-Renaissance and Art Nouveau style, built in 1901 by architect A.A. Mussert for the firm Spiekermann in umbrellas and parasols. Red brick façade with yellow stone bands, wooden cornice on consoles. The wooden shopfront on a natural stone base includes a curved glass panel and richly decorated Art Nouveau elements: glass-in-lead transom, engraved mirror, and a sculpted shop beam with the inscription ‘Fa Spiekermann’ surrounded by floral work and flanked by figures with umbrella and parasol, and sculpted owls at each end. Upper floors feature a variety of Neo-Renaissance details including arched windows, decorative masonry, and Art Nouveau-style wrought-iron window railings. Interior originally included an ornate Art Nouveau partition and three large wooden cabinets in Neo-Renaissance style. Architecturally significant for its harmonious blend of styles. |
| Wagenaarweg 30 |
H.C. van de Velde |
Art Nouveau |
1901/1902 |
Residential house with bay window, stained-glass detailing, and a brick façade exhibiting floral and curved motif typical of Hague Art Nouveau. |